1. Once again I couldn't find the article this is pertaining too but I can make an educated guess on what Arthur is speaking of. Realest usage of found footage would be using the footage to imply some reality in the imagery, probably not taking it too far out of context. Figurative use would imply more of what was going on in Tribulation 99, referencing the footage to a completely opposite idea.
2. Three similarities between the No Wave/Punk film movement and the punk music scene would be first and most prominent, would be the idea of simply picking up and instrument/camera and start playing. Each scene would also help each other with the creation of each others projects, musicians as actors and filmmakers could make videos for the bands. Thirdly as technology goes, the no wave group had their super 8 cameras which weren't made for mass movie production and the musicians had their slide guitars.
3. The five characteristics of the modernist paradigm would be the superiority of high art of modern culture, medium specificity, autonomy of art, smooth camera movement, and super impositions.
4. ehhhhh
5. What Ahwesh means by the rejecting the "aesthetics of mastery" is that she doesn't agree with the following of the classical narrative structure and follows her own methods. By shooting on Super 8 and not using professional actors she was able to follow her own ideals about filmmaking. This is similar to the style of punk filmmaking with the camera and actors.
6. Mainstream porn focus on the male, his penis, and him getting the ultimate satisfaction when the day is over with. The Color of Love however, focus's on the two females making love while the male seems unimportant.
7. The Laura Croft character was taken out of her video game world and inserted into the world of film. Awhesh used repetitions of Laura's body movements in different variations, wardrobe changes, and different camera angles to form the piece. Also a theme of incomplete actions circles the settings.

No comments:
Post a Comment